“It's not my advice, it's William Faulkner's (variously attributed to many other writers): ‘kill your darlings.’ It means go into your writing and get rid of all the inside jokes / cutesy parts that are only interesting to you. What you'll be left with is writing that has the ability to affect other people. It's the toughest thing in the world to do, but that's what makes it good advice.”
The Inside Story
I took to writing in childhood because it was the easiest, most direct
kind of rip-off I could find. When I enjoyed movies and wanted to create
one, I found I needed a video camera. When I enjoyed video games and wanted
to make one, I found I needed…jeez, I didn’t
know what,
a “computer language.” But if I liked a piece of writing,
all I needed was paper and a pencil to make something of my own. I started
doing that in second grade; and by high school I was fashioning tidbit
short stories like “
The Bagel Man,” which won me
Honorable
Mention at the New York City region of
The Scholastic Art &
Writing Awards in 1996. I turned the account of that awards ceremony
into my first published piece in
New York Press—all of a
sudden I was ripping
myself off! I discovered then that good writing
focused not only on the unique, (which always gets the credit,) but on
the common—those things unsaid but true, picked up on by an artist,
that make an audience nod and think “Hey, I can do this too.”
Advice to Young Writers:
The key is, don't write a book. Especially if you're young, you're not
going to have the discipline to follow through on a complete work of fiction,
which has to be on your mind all the time for months. Also don't write
poetry or short stories, unless you've got one
really good short
storythere's not much of a market for that. Cut your teeth writing
for newspapers and magazines. The key here is this: At the front of every
newspaper and magazine in America (sometimes on page 2 or 3) is something
called a
masthead. The masthead lists the names and occupations
of all the writers/artists/editors who work for the paper. At the bottom
of the masthead is an address called the
slush mail address. (You
will probably see it in tiny letters down there and really have to struggle
to read it.) This is the address that unknown writers can send their work
to! Whatever you enjoy reading, you should send your writing to. If you
like cars, send to
Road and Track. If you've got a crazy story
about homeless people or music, look for a local alternative paper in
your city (like
New York Press, it'll come out every week and have
listings for all the concerts/parties going on.) You will, at least, get
a response and get an idea how good your stuff is.
Career Highlights (So far)
- 2006: It’s Kind of a Funny Story, a novel, to be published by Hyperion
- 2005: NYC Student Writing Showcase, a series of in-school workshops and a publication developed by Ned in conjunction with the New York City Department of Education, the New York City School Library System and the Alliance for Young Artists & Writers. http://www.nycsws.org
- 2004: Be More Chill, a novel, published by Hyperion and chosen by Judy Blume as a Today Show Book Club selection.
- 2003: Graduated Phi Beta Kappa from Hunter College of the City University of New York
- 2000: Teen Angst? Naaah..., a collection of essays, including “Horrible Mention,” published by Free Spirit Publishing
- 1996: “Horrible Mention,” about Ned's experience with The Scholastic Writing Awards ceremony, published in New York Press
To find out more about Ned, visit his website:
http://www.nedvizzini.com
Recognition through The Scholastic Art & Writing Awards
- Honorable Mention, Short Story, New York City region of The Scholastic Writing Awards while at Stuyvesant High School
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